Archive for the ‘grail’ Tag

“Both Cauldron and Wand”   Leave a comment

Devotees of Brighid, fans, and the simply “Brighid-curious” may enjoy John Beckett’s post “Solas Bhride: A Goddess Speaks Softly in Many Forms”, a reflection on his recent pilgrimage to Ireland.

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In 2015, I posted the still-popular “Beltane and Touching the Sacred.” In it I said (updated for the current next Full Moon at the end of April 2018):

Here we are, about two weeks out from Beltane/May Day — or Samhuinn if you live Down Under in the Southern Hemisphere. And with a Full Moon on April 29 (0058 GMT April 30) there’s a excellent gathering of “earth events” to work with, if you choose. Thanks to the annual Edinburgh Fire Festival, we once again have Beltane-ish images of the fire energy of this ancient Festival marking the start of Summer.

You may find like I do that Festival energies of the “Great Eight”* kick in at about this range — half a month or so in advance. A nudge, a hint, a restlessness that eases, a tickle that subsides, or shifts toward knowing, with a glance at the calendar. Ah! Here we are again!

I’m off again in a few weeks for the 2nd Mid-Atlantic Gathering — MAGUS 2018, with the theme “Sacred Time, Sacred Space”. Looking for a fore-/after-taste? Here’s last year’s post.

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Effective people, says Philip Carr-Gomm in his little book Lessons in Magic, “use both their cauldrons and their wands”.

Often a short quote like that is enough to launch me, set me off on reflection and contemplation and experimentation. (Echoing the near-endless spate of how-to books and guides to personal transformation, the idea of being “more effective” underlies the Protestant work ethic, its distortions in the American disdain for the poor as deserving their struggle, and much besides of bad and good.)

Put “effective” into the most crass terms: how to get what you want.

We often assume creativity — inspiration — comes first, and any manifestation second. But just as with so many things, it can be illuminating to examine assumptions as much for what they leave out as in. What can we learn, I ask, from both its truths and falsehoods?

The most famous creation story portrays both a creator and an “earth without form and void, and darkness … on the face of the deep”. Some translations suggest we can reasonably render the first few lines like this: “When God was creating the heavens and the earth, the earth was formless and empty, and darkness hovered over the waters”. In other words, creativity needs material to work on. And the material in this version of the story is already present. Creation in such a case is a forming and shaping of cosmic substance already in existence.

You could say the cauldron is the scene — the stage for creation, the setting. Without it, no workshop, no lab, no tubes of paint and brushes and palettes. No place for anything to “take place” — an idiom itself full of significance and teaching. Everything hovering, like the spirit of the god over the waters in the Genesis account, but no entry-point into manifestation. Waiting in creative tension, but with no results. Brooding on the nest, but no eggs to sit and warm and hatch.

And here’s the wand — or a compass in this case. Some kind of magical tool or instrument helps focus our creative energy.

jesus=compass

French — ca. 1250

But Carr-Gomm rightly lists the cauldron first. Cauldron — Grail — womb of Mary in the Christian story — these precede creation. And they’re not passive, either, Mary is invited — not compelled — to nurture and carry the divine child. Her assent isn’t automatic, or pro-forma. Blessing our materials — inviting their participation — helps our creative process. Indeed, some kind of blessing is the key that makes creativity possible. We just often do it unconsciously. Ritual can help prod us to greater awareness. (As with all careless acts, ritual done badly can send us deeper asleep.)

For the Grail in the Arthurian mythos truly “has a mind of its own”. Though it may seem to be “just an object” — the goal of male knightly questing — it’s the Grail that chooses who ultimately satisfies its steep requirements, who may catch a glimpse, and when it will materialize and manifest.

The Wikipedia entry for “Holy Grail” notes that Chrétien de Troyes, the first to put the story in its Medieval form in the 1100s with Perceval as questing knight,

… refers to this object not as “The Grail” but as “a grail” (un graal), showing the word was used, in its earliest literary context, as a common noun. For Chrétien a grail was a wide, somewhat deep dish or bowl, interesting because it contained not a pike, salmon, or lamprey, as the audience may have expected for such a container, but a single Mass wafer which provided sustenance for the Fisher King’s crippled father. Perceval, who had been warned against talking too much, remains silent through all of this and wakes up the next morning alone. He later learns that if he had asked the appropriate questions about what he saw, he would have healed his maimed host, much to his honour.

So much of value here to note: the importance of a middle way between extremes, applicable to easily perceived tools in hand as well as more subtle tools like language. Don’t talk too much, but don’t shut up entirely..

With the slipperiness inherent in non-physical things and experiences, and the names we give to them, the san graal or “holy grail” becomes in Medieval French also the sang real “royal blood”, launching one of the oldest conspiracy theories still popular today concerning the possible existence of surviving lineal descendants of Jesus and Mary Magdalene. Add to this the World War II legends of a struggle between Hitler and “the forces of Light” for possession of the historical Grail and its immense powers, and you set the stage for the flowering of a new generation of Grail myths and legends. Archetypes continually regenerate; indeed, the Grail is among many other things an illustration of just such archetypal power.

And as we know from our own experiences with creativity, there are indeed many grails each time we manifest something — even if you prefer that they’re all subsidiary to a single magical One and Holy Grail. (Which in a certain sense they are.) Another question to ask, practice to experiment with: “What is the grail in this situation?”

Now this is all well and good, you say. Good fun, diverting, the stuff of fat best-sellers and million-dollar movie scripts and much silliness in pop culture and media. What of the wand? And what does any of this have to do with me?

Fear not. The wand gets at least its fair share of star billing before the end.

To take a turn through pop culture, why does Harry Potter take Hagrid’s advice and seek out Ollivander’s, apart from Hagrid’s plug that “there ain’t no place better”? Harry needs a wand. He survived the attack on him as an infant, with the scar as mute but vivid testimony of its potency.

But for any serious and conscious creative-magical work (all creativity is inherently magical), he’ll need a wand. It’s simply a matter of time before we ourselves come to the same conclusion.

“I wondered when I’d be seeing you, Mr. Potter!” says Ollivander.

And as with active Grail, the wand, we learn from Ollivander’s, and elsewhere, “chooses the wizard”. [Note how tall the interior of the shop is in the video clip — the airiness and “head-space” appropriate to a wand. And it’s at Ollivander’s words “I wonder” as he goes for the third wand that we hear again the hallmark and mysterious musical theme.]

And of course, with the tradition of clusters of three long associated with things magical, the third wand’s the charm.

Franz Bardon, no slouch when it comes to personal experience, magic and occult instruction, observes in his fine text Initiation into Hermetics that

Everything that can be found in the universe on a large scale is reflected in a human being on a small scale” (pg. 31) and “A true initiate will never force anyone who has not reached a certain level of maturity to accept his truth” (pg. 55).

Again, as with so many things, truth is better treated as experimental — to be tested through our own direct experience, rather than either swallowed credulously, or rejected out of hand — both falling short of the magical quality inherent in threes. Either-or too often simply misses the point we seek.

A wand extends and sharpens the creative ability — the inspiration and clarity of East, the dawn, air, what a bird sees when it flies, the overview, the big picture, the influx of Light from the sun. Its time is spring — the perfect tool in the hand of a gardener, whose version may take the form of trowel or spade.

Consult the recent and masterly exposition Wandlore and you’ll discover a major key:

The most basic hidden secret of magic is that the wizard must go within … inside the mind, and there, encountering Hermes, lord of communication, be led into the otherworlds.

As Carr-Gomm notes in The Druid Tradition, talking of Iolo Morgannwg, the brilliant creative mind behind much of the Druid Revival, but with important teaching more widely applicable and relevant to today’s headlines,

… when it comes to working with the esoteric, we are to large extent under the influence of Mercury, or Lugh, the god of communication between human and divine worlds … But Mercury is also the god of thieves and of deception — of stage magic, and the manipulation of illusion as well as of high magic — the manipulation of consciousness and the causal world. Those who have not clarified their relationship with Mercury fall prey to both aspects of his influence, and it is then hard for the academic [or anyone! — ADW] to understand how the same person can combine genuine material with the fraudulent, how they can channel both divinely inspired insights into Druidry and complete nonsense, how they can be upright and honest and engage in deception or delusion (pg. 27).

And rather than belabor the benefits of walking a spiritual path, and also to cover a truly immense amount of ground, the end result, recorded in T. S. Eliot’s grand poem The Four Quartets, in the last line of the final section “Little Gidding“, is that “the fire [of wand and purified will] and the rose [of the Grail and the perception of spiritual unity] are one”.

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Image: Christ with compass: “he set a compass upon the face of the depth” (Proverbs 8:27)

Carr-Gomm, Philip. Lessons in Magic. Lewes, East Sussex: Oak Tree Press, 2016.

Bardon, Franz. Initiation into Hermetics. Merkur Publishing, Inc., 2016.

MacLir, Alferian Gwydion. Wandlore: The Art of Crafting the Ultimate Magical Tool. Woodbury, MN: Llewellyn Books, 2011.

Carr-Gomm, Philip. The Druid Tradition. Rockport, MA: Element Books, Inc. 1991.

For an evocative single-page note of just some of the material behind Eliot’s poem, see here.

 

 

http://blog.sciencemusings.com/2011/07/setting-compass.html

 

 

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Lunasa, Saturday 5 August ’17   Leave a comment

One of the great pleasures of the “Great Eight” seasonal festivals on the Wheel of the Year, if you have a group to celebrate with, is the unique combination of private and community rites that can mark each season. They can merge and nourish and colour each other in subtle and provocative ways.

I’ve written here about my own recent private rite consecrating a new fire circle. Earlier today I hosted a small group rite of Lunasa.

grail-hermitCard drawn before the rite from the Arthurian Tarot: the Grail Hermit. Caitlin and John Matthews’ deck provides rich material for meditation. A partial interpretation: while group ritual is important, personal communion with the Source and its many guises is crucial to balance. I don’t need to “go anywhere” to find the Grail or the inner hermitage, but I do need to make an effort to allow them to manifest in the busy-ness of my life. I note too that some things can only be discovered and mastered alone. A group can become a distraction if its main contribution is more busy-ness and not useful centering and grounding in practice. That’s a message that’s still deeply applicable to me and my practice.

The hanging over the door of the Hermit’s hut is purple, with a golden image of the Grail on it. The royal road of true spirituality calls us to claim our spiritual identity as heirs to an inner kingdom. As with all above-below and within-without paradoxes, the apparent poverty, obscurity and simplicity of the Hermit contrast and foreshadow the spiritual wealth within. One clue: the fire burning in the clearing.

For the group rite we made space in our weaving room with looms and fibers for backdrops. Appropriate for the Weaver at the Loom, Shaper of All!

Here on the altar the firsfruits: blueberries, candles, a sheaf of grasses, corn meal and ritual objects sheltered from the weekend of rain.

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Halfway through the rite, the thunder receded, the rain stopped and the sun emerged.

Hail Lugh, hail Earth Mother. In the words of the ritual — her words — “I will nurture you … I will comfort you … I will bless you through all the days of your lives”.

Thanks to BW for composing and leading our ritual, and to those who celebrated with us.

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Matthews, John and Caitlin. Illustrated by Miranda Grey. The Arthurian Tarot. Aquarian Press, 1991; 25th anniversary edition, Connections 2015.

 

 

Grail and Cross — Druid & Christian Theme 5   Leave a comment

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symbol pageAs with so many geometrical figures, both solid and planar, the Grail and Cross, cup and intersection, are figures that belong to no single group or culture.

Of course cross and star, cup and sword, wand and flame, etc., may be adopted by one or more groups as symbols with meanings specific to the group, but that doesn’t mean the cross is exclusively “Christian”, any more than trees “belong” to Druids alone. The most powerful symbols expand beyond the confines of association with any one group. If they didn’t, we might question their worth.

To choose just one example, the five-pointed star is Pagan, Christian, and more besides. Most of all, it’s an anciently human-devised shape, made to represent a host of ideas and perceptions. Many of the most enduring symbols are mandalas, sacred forms, that often show a high degree of symmetry, or other visual and pleasing harmony. Contrary to what you may have heard, sacred geometry is alive and well, and lives still in our eyes and hearts.

Among the Sumerians, millennia before Christ, the star or pentagram was a logogram meaning “corner, angle, nook, small room”. In Medieval Europe, the star could represent a series of Christian fives: the five wounds of Christ, the five chivalric virtues of a knight, and so on. (The medieval poem Sir Gawain and the Green Knight develops this theme at some length.) And as one form of endless knot, the unicursal star or pentagram stood as a symbolic defense against evil. How many nations feature stars on their flags and among their other national symbols? That’s quite a range of meanings and interpretations — and possible uses!

All this said, both Grail and Cross are now firmly entrenched in the Western world as specific symbols, straddling Pagan and Christian understandings of emotion and physicality, manifestation and transformation, magic and divinity. Still, modern instances can reinforce (and subtly reinterpret) older usages. Note this comment about the fictional “Grail Cross” at symboldictionary.net:

This emblem, best known as the “grail cross,” is not a genuine religious or historical symbol, but I receive so many questions relating to the symbol that it is included here. This emblem appears in the movie “Indiana Jones and the Last Crusade,” as the emblem of “Brotherhood of the Cruciform* Sword,” the fictional secret society who serve as Guardians of the Holy Grail in the movie.

With its myth- and symbol-making power, modern media is rife with magical purposes — the subject of a separate post, if not a book or entire library. Want a “new” symbol to become charged with meaning and significance? Get it into a film that generates pop-culture buzz and fandom!

gchaltertopAnd because in much of the West we don’t know any more what to do with either sacred or profane, the two go together like a horse and carriage, or jam and toast, hooking up like the hormonally crazed. So here, for your reflection and pondering on the doubled hallowing and polarizing powers of human consciousness, is the “Grail Cross Halter Top“. So many symbols bare their midriffs at some point, turn commercial, and even have a go at sexual reinterpretation. (Here’s the Katy Perry version. Note the addendum on the right-hand image: “steal her style”.) Hence the need for “new” symbols, which are often the oldest ones returning once again to present consciousness at need.

For what the original symbols point to is precisely what their commercial cousins claim to but cannot offer: transformation, youth, beauty, power, energy, fertility. Who doesn’t seek the Grail?

Grail and Cross are one more way for Druids and Christians to find points of communion and exchange, without sacrificing their distinct identities. And such communion can be literal: bread of the earth, wine or grape juice as the blood of sacrifice, the ritual words either Druid or Christian, depending on the purpose, those attending, the group and the rite. What does your imagined shared Druid and Christian ritual look like?

I’ve written here before about the Forest Church movement, and there are creative imaginings, poems and songs that explore this common territory. You can read one instance here, about Jesus and Merlin:

What if
Jesus and Merlin were to meet
At twilight
In the garden, in the grove,
One looking forward to the Skull of Golgotha,
One looking back on the Sacred Head of Bran? …

What could they give to one another
These prophets circling in their Time-long orbits?

You might try out the poem’s answers to these questions on your sense of possibilities. And if they don’t work for you, write yours.

After all, there are as many meeting-points as people. If the holy terrain between Druid and Christian calls to you, better your way than one belonging to another that doesn’t fit you on your arm of the spiral journey. A week’s worth of your own meditations surpasses anything I can write here. These themes are suggestions, prompts, points of departure. They’re mine, and they may not be yours. Their use is as sparks, kindling, tinder, fuel, provocation.

One such locus for both traditions is healing, as OBOD Chief Philip Carr-Gomm has written,

laby-grOne of the most important tasks that face us today is one of reconciliation, whether that be between differing political or religious positions … the Christian community, far from taking fright at a perceived regression to a pagan past, can ally itself with [Druidry] which is complementary, and not antagonistic to Christian ideals and ethics …

St. Columba said “Christ is my Druid” and I believe that if we take Druidry to represent that ancient wisdom which lies deep within us, and that can connect us once again to the Earth and her wonders, we can understand how we can be Christian Druids, Buddhist Druids or Druids of whatever hue or depth is needed for us at our present stage of development.

As you will know, Christianity in these islands built upon the foundations laid already by the Druids –- their seasonal observances were developed as festival days, their sites were built upon with churches, and the Druids welcomed Christianity for they with their powers of seership and connection to the Source knew of Christ’s coming, and allowed their practices to develop into what became known, at least in Scotland, as the Culdee church.

This segues into the next theme in this series: festivals and holidays.

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Images: symbols; Grail Cross Halter Top; grand-mother and -daughter at labyrinth.

Thirty Days of Druidry 4: Truths and a Truth   Leave a comment

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wolfsubmitI take as my divination today an odd dream early this morning: I’m a member of a wolf pack, and my fellows have drawn me aside, possibly to be disciplined, after I am tested for truth-telling. The issue at stake, apart from truth, I don’t know. (There isn’t one?) But I feel the just authority and deserved power of my pack leader, I readily make my submission, lying flat on the ground, waiting patiently as I can, licking my chops, panting a little. At length I’m freed, though I lose the final threads of the dream and the actual issue in contention as I wake.

Who determines truth? Is it our pack? Often among social animals it’s indeed the group, for better and worse, like the words of the marriage vow, recognizing a truth about life. For submitting to a consensus is a form of contract. But such a formulation of truth results not just from others’ perceptions — a consensus averages them, bundles them together to even out the extremes, and not only may be no more accurate than my perception or yours, but may well be less.

Mere majority is no guarantor of value. “We all say so,” exclaim the Monkey People in Kipling’s Jungle Book, “and so it must be true.” Democracy, indeed, is the worst form of government — except for all the others. It’s a first approximation to that inner wisdom. Mix in other adulterating motives like the obscuring force of anger, envy, fear and so on, and the spinning moral compass still comes to rest to show that no group deserves more authority than the individual. A group may indeed have usurped such authority, snapped it up if we have ceded it, or claimed it in the absence of the rightful possessor, but that’s a different matter. The point persists behind Iolo Morgannwg’s Welsh aphorism Y gwir yn erbyn y byd — “the truth against the world” — regardless of whether we claim that inner sovereignty as our birthright, or heedlessly opt to forfeit it to whoever is the latest big noise to arrive on the scene.

A part of that sovereignty, true, urges us to seek wise counsel when our own vision falters (as it will from time to time), or does not offer sufficient guidance. But the choice to seek, follow, modify or ignore that counsel remains ours alone. It seems nowadays we’ve only a loose grip at best on the good meaning of discrimination: the ability to make vital distinctions that matter. For the opposite of discrimination is not indiscriminate approval or contempt. Rather it’s an abdication. Someone else, take up my crown and sceptre! It’s too hard! But as we come to know at cost, the only thing more difficult than struggling to uphold our sovereignty is the obscene suffering and atrocious despair we face when we let it slip through our fingers. Holocaust survivor and philosopher Elie Wiesel has said it well (adjust the pronouns to fit): “It is by his freedom that a man knows himself, by his sovereignty over his own life that he measures himself.” Without sovereignty, then, how can we know or measure accurately?

I offer as exhibits 1 and 2 most major headlines today and the lived experience of anyone over 10 years old. Among other wisdom paths, Druidry rightly asserts that it’s our inner sovereignty that comes first. All else follows from the state of our inner kingdom. It’s long work, this upholding of our sovereignty. And if like me you feel the evidence points towards reincarnation, well, we keep coming back till we get it right.Some things we know are true, against whatever the world throws down to snuff it out. Otherwise, what’s the cosmos doing, if not manifesting gloriously, excessively, magnificently, every single possibility along with a consciousness, feathered, finned, furred, to engage it, turn it back onto itself, plumb its depths, endlessly forming and re-forming.

machyn-chairThere’s a wooden chair in the Parliament House in Machynlleth, Wales, that bears those challenging words across the headpiece. For it too is a Siege Perilous, like that “perilous chair” at Arthur’s Round Table, that stands empty awaiting the one who wins through to the Grail, the seat that proves fatal, mortal, to the mortal who sits down unworthy. This life is perilous indeed — mortal — the Ancestors weren’t wrong about that in all their stories. We’re winning through, though by all appearances none of us have quite yet “won.” But we’ve come far enough, through both hardship and joy, to recognize the seat for what it is, to puzzle out the significance of the inscription there, to feel it in our bones. We’ve caught more than one glimpse of Grail in a human face, a landscape, plumbed it in the heart’s cry, caught echoes of the Grail Song, every one of us, against all the odds the world sets for us. We can even imagine sitting down eventually.

I suspect, too, that any endpoint is part of the model and not the reality it attempts to represent. It’s an asymptote, to get mathematical for a moment, if you recall that intriguing figure from school: undrawable, really — endlessly closing in on but never reaching a final point, a terminus, some ultimate destination. It’s the horizon infinitely receding. It’s the Mystery that lies behind and inside everything, the charge that impels all things. Taoists say it’s “like a well: used but never used up. It is like the eternal void: filled with infinite possibilities. It is hidden but always present. I don’t know who gave birth to it. It is older than God” (chapter 4).

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Images: wolveschair in Parliament House, Machynlleth, Wales.

 

 

Growing Down   Leave a comment

greenworldThe green world burgeons all around me, though I fall silent. I don’t grow up like these eager stems, leaves and blossoms that surround this house of self in a blaze of green glory. So early this year, summer already launched in the heart of spring. Not up. No. I grow down.

The word itself brings the action. D o o o w w w n n n. Without thought, something bones and skin and gut do. Are doing. I shudder in a moment of vertigo. One world spins and collapses around me. Then I’m touching another, walls that shape the passage-way around my descent. Something deepens, I sense roots like fingers, fingers like roots, reaching into darkness, into cool earth and colder stone.

sheela-na-gig

I feel them ever so subtly at first, their branching shapes, the strength of this bark-skin, root and claw, fingertip and tendril, things that are somehow both my hands and also the tree roots I find myself grasping.

Then all at once, that subterranean tug of ancestors, my roots their roots, reaching and twining into the dream earth I crawl into each night and pull over me. I shiver, bone-deep. All that they were, I am. All that they feared and love, I too fear and love. In the darkness, a space opens. Water pools at my feet, a faint glow illuminating it, silvering the surface. Ripples die away and all lies still. My own breathing deafens me, too loud. The dark silver still shines with its own light, waiting … for what?

nightlake

I’m jerked upright, to my feet. Want to meet your ancestors? asks an insistent whisper. Look, the whisper says. Look, Pilgrim, in the mirror. The silver surface of the water steams, mist swirls up from it, the fog thickens, then furls back and away. I kneel down to look …

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Singing. I hear singing.

Three awens for the dead, who live again. Three awens for the living, who will die in turn. Three awens for those yet unborn, who know both worlds, who await a third.

O Walker between the worlds, do you wish to remember all you have forgotten? Then stand ready. The nine awens of change wash over you.

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Are you ready?

It’s not a question. Oh, it has the form of one, but it’s not. It’s a choice. I show I’m ready, or not, by what I choose. And by how. Not by thinking of an answer.

It’s a fair choice. It’s always a fair choice, I hear. Because it’s yours. But if I don’t know it’s a choice, if I listen to fear, or doubt, or judgment, or anything else but what I was born listening to, what shaped me while I was a mere thumbling in my mother’s womb, I miss the choice, and think it’s merely a question to answer, one that already has an answer, not one I answer in this moment, right now, by choosing. What will I choose? That’s the real question.

aceofcupsI gift you with a grail, the chalice of your desire, says the short powerful figure before me. I try to make out a face, but nothing other than an outline in this dimness.  And the voice.

What will fill it? Where will you pour it? The gift cannot be given to you until you give it away.

How? I hear myself shouting, how in the name of the Nine Druids do I give away a gift I don’t even have?

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I’m coming back. Ascending, though that’s not exactly it either. One world fades, another gains strength.

A final whisper. Wanderer, you have no other home. Home is where you serve.

Images: greenworldsheila-na-gig; lake at night; grail.

Posted 14 June 2015 by adruidway in ancestors, Druidry, grail, initiation, Ovate

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