Archive for the ‘goddess’ Tag

3D: Divination, Discernment, Dreaming   Leave a comment

[Part 1 | 2 | 3]

I wrote up a version of the following for my journal, a practice in itself, and now for this post.

John Beckett’s helpful article “A Pagan Framework for Discernment” suggests a three-part approach for anyone doing the hard work of sifting experience and belief for their weight and significance and value. “Religious and spiritual ideas”, he observes, “are notoriously resistant to proof, as our atheist friends like to remind us. But if we wait on absolute proof, we’ll end up abandoning beliefs and practices that are meaningful and helpful to us.”

Divination is a useful practice at such a juncture, for several reasons. First, it acknowledges a need for help. I’m never alone, though too often I face challenges as if I am. [As that Christian triad (Matthew 7) has it, “Ask, and it shall be given you; seek, and ye shall find; knock, and it shall be opened unto you”. No, really!]

Second, divination gives me “something to do” that often relaxes the inner channels sufficiently that I’ll receive guidance “before” I actually do the divination. There’s little support or comprehension in our culture for anyone who talks about “voices in the head” — that kind of talk is one step toward getting you committed. So be careful who you talk to, I hear. Maybe if you started out committed, I hear, you’d know better how to respond to “voices in the head”. Rather than ignoring them, freaking, or heeding them unthinkingly, we’d assume there’s a wider range of options from which to choose.

Third, divination offers suggestions and potential wisdom apart from the usual gossipy, opinionated mechanical self that pretends to conscious awareness most days. Wisdom received often has a qualitative difference from what I’d usually say to myself.

“A belief is true if it works”, Beckett continues, “if it conforms to known facts, and if it’s helpful. But some factors have no bearing on truth even though we might wish they did.”

With such things in my thought as I consider how Thecu initiated communication a couple years ago, and then again recently, I ask for guidance on divination, figuring I’ll draw a card or three from a deck to assess possible directions. To my surprise I’m told to make an impromptu “deck” of nine folded pieces of paper. “Let each be a doorway”, I hear. That’s not quite right; there are no audible words. But the sensation is the same; the words are in my mind.

IMG_1738After I prepare the papers and document the moment with a photograph, almost before I can ask for the next step, I’m given nine words or names to write on them: hampu, lutec, nef, abal, tahilte, renha, lam, tseme, umun. Then, as smoothly as the sense of guidance arrived, it falls away, and I’m left with no further sense of direction. Upheld, then let down.

While the linguist in me putters in the background, turning over the names for a clue to their origin and meanings, I light a small candle and some incense, as much to forestall disappointment as anything else. The incense is homemade, from a workshop some years ago. It needs intermittent relighting, but that’s OK. I send out a silent “thanks and query” with each relighting. It feels right to do so.

Perhaps half an hour later, I receive further instruction, as I’m making some notes about a job lead: “The nine words are associated with the numbers 1 to 9. They are not numbers themselves, but they belong with them. Write the numbers on the cards you made in the order the words came.”

The following day I light candle and incense again, and add a spoken element. As I listen, I try pairing Thecu’s name with each of the nine words, in an impromptu chant, each pair repeated twice, with some playful riffs: “hampu Thecu, hampu Thecu, lutec Thecu, tec, tec Thecu, etc.” In one way, it’s nonsense, but all sound has a quality and an effect, so the practice is not a waste of time in any sense, unless I stupidly insist it is. I will practice this and listen again several more times to test it.

“We are wise”, Beckett closes, repeating his opening assertion,

to focus our attention on our actions rather than on our beliefs. But our actions generate experiences, and in our attempt to interpret and understand our experiences we form beliefs. Our experiences may be so strong or so frequent we are certain our beliefs about them must be right, but if we are honest with ourselves, we can never be completely sure they are right.

But we can ask ourselves if our beliefs work, if they conform to known facts, and if they help us lead better lives. If we can answer yes to these three questions, we can be confident that they are as right as they can be.

How do I pray to you, goddess of storms?
Let this my prayer be a litany of questions.

/|\ /|\ /|\

Advertisements

Prayer to Thecu Stormbringer   Leave a comment

[Part 1 | 2 | 3]

How do I pray to you, goddess of storms?
Let this my prayer be a litany of questions.
How may I best honor you?

You gave me a glimpse, no more,
of landscape, cliffs lapped with green,
mist-hung and mournful,

with this foreign name to call you.
What is your service, what
may I do for you? Why

make yourself known to me?
Unlikely am I, no familiar of shrines,
a god’s service, formal prayer.

Then, too, I know so little of you.
Does naming you for others answer
your purposes? How do I answer you,

goddess of storms? Here are words,
intention, listening. Let this litany
of doubts and questions be first prayer.

/|\ /|\ /|\

thracia-daciaIn the single experience (see recent post) I had of her, Thecu was particular about the sound of her name: TEH-koo, spelt with a c, not a k. Something bleeding through here of eastern Europe: Thracian, Dacian, Illyrian, Macedonian Greek, Etruscan?

The linguist in me still turns over these very scant details. This is one of those shadowy regions of Europe, where we know so little, mostly echoes from the written histories of neighbors, along with a few hundred words, a handful of inscriptions.

/|\ /|\ /|\

Image: eastern Europe.

New Gods for Old?   1 comment

[Part 1 | 2 | 3]

IMG_1703Listening for names. I spend a significant amount of time doing that, between my spiritual practice and my fiction. It’s a curious endeavor, hard to explain, but one a surprising number of people have experience with. What is it we’re hearing?!

Some two years ago in meditation I heard the name of a Storm Goddess, two syllables, beginning with the letter T. I don’t know about you, but the first time I encounter a deity, especially unsought, a being I don’t know, I can feel like I’ve just landed on an island no one’s visited before. No maps, no tourist description, no information to help the next person, because I’m the first one to arrive there. No other footprints on the beach. No electricity. When the sun goes down, I’m left only with this fire I choose to build, a new climate, night noises I don’t recognize, a night sky whose constellations have shifted, or wheel above me wholly new.

Subsequent listening brought me a little more information, a complete name I’m keeping back for now while I pursue additional ritual work and meditation. I do have a general location in eastern Europe where her worship originated. But not a lot more. I’m returning after this interval to pick up the thread, to think out loud here, to see if there’s more to discover. For me, writing about something often activates it in ways nothing else does, blowing hidden embers to flame. (A strong reason for keeping a journal, as I’ve learned. I confess I needed to track down the entry to recover her name. I only have it because I wrote it down.)

BlackSea

Black Sea and eastern Mediterranean

My title for this post isn’t meant to be serious — I have no sense of T “replacing” any other deity. She’s simply new to me, and as far as I can tell, her presence has left no written record. Barring a trip — beyond my resources at this point — to plant my feet on the ground and walk the region west of Black Sea where my meditation showed me her worship once flourished, I’m left with what I can discover from here.  No report of divine possession resulting from touching a barrow rising through the mist and contacting ancestors or land spirits. No blaze of insight, no recognizable historical scene unfolding in inner vision. No Hollywood or Bollywood or CGI to dramatize a blogpost. No Industrial Light and Magic courtesy of the Otherworld.

That doesn’t hamstring my search, but it does direct it inward, fitting for a deity whose worship has apparently withdrawn to inner realms.

Why did she make herself known two years ago? That itself forms part of my search. It’s the nature of UPG, unverified personal gnosis, that I can’t yet rule out being played by a spirit. That’s no different than how a phishing advertisement or a fake news article snags a portion of its readers who part with money, belief, a sliver of common sense and integrity. What distinguishes my experience is the approach, if you want to call it that, of T. Reserved, as if testing me. No requests. A trickle of information, a flash image of green and rocky landscape. Enough to hang a meditation session on, enough to ask for a return on the investment of energy involved in making contact with an incarnate being, me, with lots of other demands on his attention and time. Enough to provoke this post.

Now part of the experience is that the writer in me immediately, inevitably jumps aboard and starts playing. Imagine! he says. You were her devotee in a past life and she’s contacting you to revive her worship!  Decent premise for a story, right?! Or, or … it’s an inner warning of outer storms to come. Or this isn’t the goddess but a priestess of the goddess reaching out to you for a Dion-Fortuneque revivification of a spiritual energy whose time has now come again to wash over the earth. See what I mean? What to do with such a companion?!

Yes, my writer self is more than a bit of a quicksilver imp, a drama queen, a runaway dreamer who’d sooner spend an hour in reverie than getting words on paper or screen.

But for all that, he’s opened doors and given me words I don’t get any other way. He’s part of the package. I’m talking about all these things to give you a sense of my process. Yours, of course, is your own.

So, T, this post is for you. Your serve.

/|\ /|\ /|\

Image: Black Sea.

A Winter Passage   Leave a comment

art-tarOne of the meditations for this time of year between Yule and Imbolc that I’ve set for myself deploys Caitlin Matthews’ Arthurian Tarot, a tool I’ve mentioned before on this blog. You can find a chart of the dates and cards my meditation associates with them at the end of this post.

[As promised in the post before last, I’m also reporting with this post on how well my outer and inner worlds match up with the possibility of regenerating ancient tradition.]

Working through the Major Arcana in sequence from the beginning, and using The World/The Flowering of Logres as a pivot to return to The Fool/The Seeker, the Tarot serves as an energizing and revealing series of meditations for the exact number of days between the Winter Solstice and Imbolc/Brighid’s Day, if I observe it on February 1.

The Arthurian Tarot works well for this purpose, because such use places Arthur/The Emperor on December 25, and in at least some versions of the Arthurian Mythos, Arthur was born on Christmas — he’s the Christmas King.

Thus, The Seeker sets forth on the Solstice, the day of greatest darkness — fitting for the beginning of the Journey, when almost everything seems shrouded, unknown. Though the Seeker stands on a precipice, he is not daunted, whatever the New Year brings — and in Arthur’s Court, it brings Gawain at least a deadly challenge in the form of the Green Knight. In this meditation series with the Arthurian Tarot, the Knight arrives on January 5 — fitting, since it’s the last of the Twelve Days of Christmas, and the holy feast of Theophany in the Eastern Orthodox calendar, when the divine appears to men.

With these encouraging correspondences emerging as I filled in my calendar, I felt I had sufficient personal justification to continue and to explore what this meditation series might have to offer. If you’ve worked with synchronicity at all, you know how sometimes signs can line up almost too easily. “One thing becomes another” in the realms of the Goddess, and we can lose ourselves in too-easy correspondences and mystic convergences, forgetting our initial purpose as we indulge in excessive woo-woo*. Or at least I can. Take heed, says inner guidance.

sovereigntyContinuing the series, the New Year begins with Sovereignty — a reminder that whatever the situation in the apparent world, we have the gift of being able to gaze into the other world(s) as well, using our divinely-bestowed power of double vision, and see  where true power and authority lie, and acknowledge and revere the one(s) who wield(s) them.

The Wounded King immediately follows, with the Washer at the Ford and the Cauldron coming next — all three most potent symbols and archetypes.

Yesterday was Prydwen, the ship Arthur takes to raid the Otherworld and, in at least some traditions, win the Hallows of Britain, analogous to the Four Hallows of Ireland. As the Chariot, and a card laden with challenges in the past for me, Prydwen’s appearance told me I wasn’t up to tackle either the card or the meditation sequence. Bad food had left me achy in the joints, weak, and — most telling for me of toxins in my system — facing repetitive and panicked dreams and claustrophobia on waking. The Challenger stood armed and working in full force. Worth noting in my record of this day, even if I could not meet the call to close meditation and inner work the card indicated. Bed instead.

But I also know that, as is the way of spirals, I will face it again and again in the future, and my apparent “failure” yesterday is no loss at all. It has given me valuable insight, and helped me refocus energies that have previously been scattered. Now I can identify clearly a weakness that till then I had successfully managed to deny.

Another of the quests associated with Prydwen in the Arthurian deck is Arthur’s pursuit of the giant boar Twrch Trwyth, also associated with the Underworld and the Goddess, possessed of Otherworldly treasures between his ears, and — key to me — a form of my totemic animal, and sign of a way back to the lesson still available to me whenever I am ready to take it and my Boar dances his eagerness to accompany me.

Today, though, it’s Gawain. gawain

In some senses the figure of Arthur’s nephew, the “most courteous knight”, represents for me an unmerited balance, strength and harmony. After all, I did not “pass” yesterday’s challenges of Prydwen and earn these qualities.

But as we all make this journey many times, we catch glimpses of each aspect as we proceed, arming and equipping us for the next spiral along the way. In the timeless realms, “after” can prepare us for “before.” Or to put it another way, success can bleed backward in time, if we are able to accept the gift. A vision of what is to come, of the future, and of what we already are, can sustain us through apparent disaster and despair by manifesting here what already exists on the inner planes.

More to come.

/|\ /|\ /|\

*woo-woo: again, a technical and precise term of art.

IMAGES: Arthurian TarotGawain.

The Meditation Calendar

Dec 21: Seeker at the Solstice
Dec 22: Merlin
Dec 23: Lady of the Lake
Dec 24: Guinevere
Dec 25: Arthur – the “Christmas King”
Dec 26: Taliesin
Dec 27: The White Hart
Dec 28: Prydwen
Dec 29: Gawain
Dec 30: Grail Hermit
Dec 31: Round Table

Jan 1: Sovereignty
Jan 2: Wounded King
Jan 3: Washer at the Ford
Jan 4: Cauldron
Jan 5: Green Knight
Jan 6: Spiral Tower
Jan 7: Star
Jan 8: Moon
Jan 9: Sun
Jan 10: Sleeping Lord
Jan 11: Flowering of Logres

(Reversal and Return)

Jan 12: Sleeping Lord
Jan 13: Sun
Jan 14: Moon
Jan 15: Star
Jan 16: Tower
Jan 17: Knight
Jan 18: Cauldron
Jan 19: Washer at the Ford
Jan 20: Wounded King
Jan 21: Sovereignty
Jan 22: Round Table
Jan 23: Grail Hermit
Jan 24: Gawain
Jan 25: Prydwen
Jan 26: White Hart
Jan 27: Taliesin
Jan 28: Arthur
Jan 29: Guinevere
Jan 30: Lady of the Lake
Jan 31: Merlin
Feb 1: The Seeker at Imbolc

“Creating a Goddess Book”: The Rest of the Workshop   Leave a comment

Our bodies already know the Goddess – this is our oldest magic.

I relied on this insight in planning for the workshop at this year’s East Coast Gathering, whose theme was “Connecting with the Goddess.”

/|\ /|\ /|\

Goals and plans I had for the workshop:

The heart of the workshop is a hands-on look at various ways to make a physical book/scroll/altar object that explores/invites/incorporates ritual, ogham/runes, art, prayer, poems, questions, magic and daydreaming into a concrete “link” to the Goddess as we experience Her — or desire to experience Her. Think “book” as “portable paginated/folding/roll-up ongoing altar-in-process.” I’ll talk about inspiration, nudges, hints and ways to listen, inviting and hoping for participant sharing and input! The seed for the workshop comes out of the fact that I’m a prime example of somebody who doesn’t have a consistent Goddess practice (though She’s seeing to it that’s shifting, too), but when She wants my attention, She gets it, like with this book, and workshop.

It’s probably a good thing we don’t always hear how ambitious we sound. Young or old, you eventually learn to deal with the inevitable gap between vision and manifestation. If you’ve managed to hold on to any of that original and wonderful idealism of youth, you also realize that the gap isn’t a reason to despair, or to dispense with vision, but rather a sign of just how important vision is.

The physical world, so important for manifestation, by its nature tends to lag behind the swiftness with which vision can appear. But that lag is precisely part of this world’s immense value: its inertia and density allow for greater permanency and resistance to change, so that we can experience the results of vision over time — and fine-tune it if we choose. Unlike in dream, where the subtle stuff of vision or imagination can wisp away so quickly, physical manifestation tries to linger.

/|\ /|\ /|\

The Goddess is generous. Or alternatively, if you prefer the cynical version, I belong to the OCD Order of Druids. Creativity, as the saying goes, is messy. I over-planned for the workshop, ending up with far more material than any mortal could begin to do justice to in a mere hour, and this post is my penance, or confession. Or further indulgence. And maybe — in the way it often arrives when we’re not paying attention, even in spite of ourselves — a spark of awen.

/|\ /|\ /|\

ogham“Creating A Goddess Book,” with focus on “book” in order to free it from the psychological shrine many Druids, and Pagans generally, tend to put books in. Instead of paper, a book of leather, or metal, or cloth — individual sheets, or a single longer scroll. A nudge to try out the qualities of other substances than paper, than the admittedly inviting blank books on sale in chain bookstores, or even Ye Friendlie Lokal Paygan Shoppe.

Each workshop participant received a packet to practice with, consisting of a rectangle  (approx. 3″ x 4″) of vegetable-cured leather and a similar-sized rectangle of .019″ aluminum, wrapped in a larger swath of canvas cut from a shop drop-cloth from Home Depot. A wood- and leather-burning tool, a few screwdrivers, some markers of various kinds, a few words about inspiration and the importance of working to manifest things on the physical plane as one powerful way to connect with the Goddess. Suggestions for inscribing/writing/ incising a short prayer, vow, magical name, etc. Reference tables of Ogham and runes for those who wanted to inscribe words with some privacy, as a personal meditation. I pointed out that you could cut all three materials with kitchen scissors. Besides the wood-burner, no fancy tools required. Then I shut up and let participants have at the materials. Done!

Hex Nottingham's leather and metal "pages" -- photo courtesy Hex Nottingham

Hex Nottingham’s leather and metal “pages” — photo courtesy Hex Nottingham

Except for the next flash of inspiration in the planning process, which would not let go: a “Nine-Fold Star of the Goddess” you can try out here at one of several websites that illustrate the steps.

/|\ /|\ /|\

A sampling, with some commentary and additions, from the workshop handout:

“Spirit must express itself in the world of matter or it accomplishes nothing.  Insights of meditation and ceremony gain their full power and meaning when reflected in the details of everyday life.” — J. M. Greer, The Druidry Handbook, p. 138.

This world, here, is the realm of mystery. Spirit is simple — it’s this world that’s so surprising and complex in its changes and ripples, its folds and spirals and timings. Make something, I tell myself, labor with the body, and then I can often approach the Goddess more easily, dirt under my fingernails, sweat on my face. She likes bodies. I’m the one who keeps forgetting this, not her.

“Work with a Goddess long enough and you learn to hear Her call. You learn to pick her voice out above the noise of contemporary society, above the words of teachers and friends, and even above your own thoughts and feelings. Sometimes what you hear is not what you expect.” — John Beckett, “A Rite of Sacrifice,” Mar. 4, 2014.

“Shaper, you have made and shaped me. Honor and serenity are yours. I am your garment, you the indwelling spirit. Work with me in everything I do, that all may know you. Energizer, quicken me. Measurer, clear my path. Protector, guard me safely. Initiator, take my hand. Challenger, transform me. Savior, be my help. Weaver, make my pattern bright. Preserver, heal me. Empowerer, make me wise.” — adapted from Caitlin Matthews, Elements of the Goddess, p. 118.

Rilke’s fragment, a whole meditation in itself, or a daily morning prayer.

Oh, I who long to grow,
I look outside myself, and the tree
inside me grows.

— Rainer Maria Rilke

And Larkin’s poem “Water”:

Water

If I were called in
To construct a religion
I should make use of water.

Going to church
Would entail a fording
To dry, different clothes;

My liturgy would employ
Images of sousing,
A furious devout drench,

And I should raise in the east
A glass of water
Where any-angled light
Would congregate endlessly.

— Philip Larkin

After delighting in this poem, make an exercise of it. Choose one of the elements.  It can be water, as in the poem, or one of the others. Finish the sentence: “If I were called in to construct a _____, I should make use of [element].” Keep going: a series of statements, a meditation on the one you just wrote, a free association.  Whatever gets you putting words down.  You can try this over several days with all the elements, or at a different pace, if you’re working with the elements on your own.

The ECG schedule this year put the Goddess Book workshop immediately after Thursday’s Opening Ritual, so people arrived still bubbling from the ceremonial jump-start for the weekend.

“In every world, in every form, in every way, I am near you, I uphold you, I comfort you, I guide you, I deliver you from each limitation until my freedom is yours. Your body is my chalice, your heart my echo, your form my shadow, your pulse my footstep, your breath my passing.” — from my own Goddess book.

/|\ /|\ /|\

pattern-star

1. Once you hold the Star of the Goddess in your hand, write the names of the four elements and Spirit, one near each of the points. Complete this step before reading further.

2. Which elements sit on either side of Spirit? Contemplate on their positions there.  Are they elements that help support your spiritual life?  Are they especially active?  Are these the elements that need extra attention and balance?

3. Consider a section in your Goddess book for vows: experiment with them, not as harsh, unyielding obligations, but as tools for studying resolve, testing experience, practicing manifestation of your intent, and so on. They need not be “public” – write them in ogham, runes, etc. Start small and easily achievable.

/|\ /|\ /|\

Dedicating a Goddess Book: Blood, sweat, tears, spit, etc. can mark our books with our earthiness: a commitment to be honest with the Goddess about our path, its ups and downs, to remember her presence with us, and to acknowledge what we need, what we doubt, what we’re willing to work for – whatever feels right to include. Make a ritual of it. Do it quietly, simply, without fanfare, with silence making its own ritual. Or call out all the stops, bells and whistles. Then dance, feast and celebrate.

/|\ /|\ /|\

Allow a Goddess book — it could be a single sheet or “page” specifically intended for this purpose — to return slowly to the elements on an outdoor altar. Or bury it in the Mother’s good earth. Thus is the vow fulfilled that the Mother takes into Herself, as She will take all things back in time, and return them again.

“All things are holy to you.  This book like all things lies among the faces you show to me; may I learn from you daily, drink deep from your well, and body you forth as your child.” — from my Goddess book.

/|\ /|\ /|\

A small ritual. Take a few deep breaths. Sing the awen, or other name or word that grounds and focuses you. Holding your cupped hands in front of you, say: “I make this altar for the Goddess, a space where she may act in my life.”

Holding the Star, or your journal, or other ritual object meaningful to you, or nothing else at all, ask yourself: What specific space or doorway exists in my life for the Goddess to manifest or to act in? Pay attention to hints, images and answers as they come.

/|\ /|\ /|\

And again: Our bodies already know the Goddess – this is our oldest magic.

/|\ /|\ /|\

Images: ogham; star.

“Not responsible for spontaneous descent of Awen”   4 comments

treesun-smNot responsible for spontaneous descent of Awen or manifestation of the Goddess. Unavailable for use by forces not acting in the best interests of life. Emboldened for battle against the succubi of self-doubt, the demons of despair, the phantoms of failure. Ripe for awakening to possibilities unforeseen, situations energizing and people empowering.

Catapulted into a kick-ass cosmos, marked for missions of soul-satisfying solutions, grown in gratitude, aimed towards awe, mellowed in the mead of marvels. Optimized for joy, upgraded to delight, enhanced for happiness.  Witness to the Sidhe shining, the gods gathering, the Old Ways widening to welcome.

logmoss-smPrimed for passionate engagement, armed for awe-spreading, synchronized for ceremonies of sky-kissed celebration. Weaned on wonder, nourished by the numinous, fashioned for fabulousness. Polished for Spirit’s purposes, dedicated to divine deliciousness, washed in the waters of the West, energized in Eastern airs, earthed in North’s left hand, fired in South’s right. Head in the heavens, heart with the holy, feet in flowers, gift of the Goddess, hands at work with humanity. Camped among the captives of love, stirred to wisdom in starlight, favored with a seat among the Fae, born for beauty, robed in the world’s rejoicing, a voice in the vastness of days.

leaflanesm

Knowing, seeing, sensing, being all this, you can never hear the same way again these two words together: “only human”!

 /|\ /|\ /|\

Images: three from a sequence taken yesterday, 3 Oct 14, on a blessed autumn day in southern Vermont two miles from my house.

 

East Coast Gathering 2014   1 comment

Camp Netimus path -- photo courtesy of Carolyn Batz

Camp Netimus path — photo courtesy of Carolyn Batz

[Here are reviews of ECG 12 and ECG 13.]

East Coast Gathering (ECG) ’14 just celebrated its fifth Alban Elfed/ autumn equinox in the wooded hills of NE Pennsylvania. Along with this year’s theme of “Connecting to the Goddess,” 114 people reconnected to each other and the land, the lovely land. New participants and old remarked on the kindness of place, the welcoming spirit of Netimus, a flourishing girls’ camp founded in 1930 that now plays host off-season to other groups, too.

[For another perspective on this year’s Gathering, visit and read John Beckett’s excellent blog “Under the Ancient Oaks.”]

After a wet summer in the Northeast, the camp showed richly green — mosses, lichens, leaves and light all caressing the gaze wherever you looked. And keeping to our tradition of inviting guests from the U.K., we welcomed Kristoffer Hughes of the Anglesey Druid Order and returning guests Penny and Arthur Billington, this time accompanied by their daughter Ursula, a mean fiddler with Ushti Baba (Youtube link).

For me what distinguished this year’s Gathering, my fourth, was the pure joy in so many people’s faces. And it just grew over the weekend. Over and around travel fatigue, colds, tricky schedules and stresses and waiting commitments — everything — they didn’t matter: the tribe was together again. To you all (from an interfaith week I participated in): “Thank you for the blessings that you bring. Thank you for the blessings that you are.”

/|\ /|\ /|\

Dana’s Goddess Shrine in a tent on our ritual field was also a wonderful addition and a focus for many of us.

Goddess Shrine -- photo courtesy of Nadia Chauvet

Goddess Shrine — photo courtesy of Nadia Chauvet

Natural offerings accumulated over the weekend — mosses, lichen-streaked stones, acorns, leaves, a small sun-bleached animal skull — were returned to Netimus, and the other items packed up for next time. A workshop I led, on making a Goddess Book, drew me back to the shrine several times for reflection and inspiration. (Here’s the link I mentioned at Camp to a video on making the “Nine-Fold Star of the Goddess” — seeing the steps in 3D should help make my hand-drawn images on the handout easier to read once you practice a few times. A series of divinations and meditations were to follow which I never got to in the workshop — though over-planning is usually better than under-planning. Material for a subsequent post!)

I continue to meditate on a surprising goddess experience during Penny’s workshop, which I may be able to write about in an upcoming post. One of the potencies of such gatherings of like-minded people is the spiritual crucible that can form and catalyze discoveries in ways not always easily accessible in solitary practice.

/|\ /|\ /|\

Our fire-keepers outdid themselves this year, building enormous pyres (one with an awen worked in wood) to provide the centerpiece of each evening’s gathering after supper, workshops and initiations had concluded.

Awen bonfire ready -- photo courtesy Nadia Chauvet

Awen bonfire ready — photo courtesy Nadia Chauvet

evening bonfire -- photo courtesy John Beckett

evening bonfire — photo courtesy John Beckett

 

As always it’s people who carry the spirit of Druidry. Here as they tour New York City, just prior to the camp, are Kristoffer, Renu, Ursula, Penny and Arthur.

Renu with our UK guests in NY — photo courtesy Renu Aldritch

%d bloggers like this: