Archive for the ‘fonn’ Category

Six Things for the Sixth

ONE

Now that I’ve got the melody of one of the fonn stuck in my head, I’m reminded yet again how we can establish new habits surprisingly easily, and can often re-program ourselves more readily than our rational “But-I-can’t-really-change” argumentative self will admit.

“… the interval created by if“, writes Robert Hass in his poem “Spring Drawing”*, “to which mind and breath attend, nervous as the grazing animals the first brushes painted, has become inhabitable space, lived in beyond wishing”.

TWO

Yesterday I spent time clearing out glossy buckthorn (frangula alnus), a fast-growing invasive in the north and northeastern U.S., along our property lines where it’s been trying to establish a foothold for the last few years. A native of much of Europe, and originally planted as a natural fence in parts of the midwestern U.S., glossy buckthorn’s invasive because it’s so vigorous. It stays in leaf longer, shading out native plants, it reproduces through both berries and runners, it has few or no natural enemies, and it tolerates wet soils and pollution.  In some ways you might say it’s exactly a bush for our times, tough and adaptable, if it weren’t so successful. Bees, birds and even a specialized butterfly relish its flowers and fruit.

frangula-alnus

glossy buckthorn in leaf and fruit

The bush has value to humans, too — as charcoal it contributes to gunpowder production, and its dried bark has been used as a laxative. In older lore, the ancient philosopher and physician Galen asserted its protective qualities against against “witchcraft, demons, poisons, and headaches”. Even his name has an associated value relevant to today: Γαληνός, Galēnos means “calm”. A mini-ritual in the making — invoke Galen’s calm along with the purgative and protective qualities of buckthorn.

THREE

“Is muggle a real word?” runs one popular search on Google. Like most magical and spiritual things, the question holds the key to its own answer.

Consider proper names that have become known in the last few decades. Is Lady Gaga a “real name”? To me anyway, more interesting than the question is what a person will do with the answer. Realness often depends on aptness — on fit. Does the (new) name fit the thing it names? If it does, the name is likely to catch on. If not, it probably won’t. To put it another way, if it ignites interest and attention, it becomes real. This is a key to many insights.

We tend still, in spite of more than a century of training from many directions that should have helped us know better, to think of things magical as pure marvel, a kind of “conjuring out of thin air” — creation ex nihilo, on a par with what the monotheistic God does “in the beginning”.

But a mage, like any creative person concerned with manifestation, studies patterns, tendencies, and energy flows. J. K. Rowling builds her names out of tendencies, patterns, sound symbolism and existing English word-forms. An arbitrary word like zlimpk is much less likely to catch on in English than muggle — it violates English word formation patterns. Magic — and spirituality — follow similar laws or patterns. A quick online look at muggle lists a whole set of antecedent associations at play for Rowling to work with. And a further test? Plenty of people now know the word muggle who have never read a word of the Harry Potter series. A magical act: something there that wasn’t there before.

FOUR

I’ve written several times about Thecu and the runes of storm I received from her — “created out of thin air”, if you ignore section Three above.

Here’s the first image I have of them from my daybook where I wrote them, the entry from 19 July 2017 — nearly three years ago now.

runes2

We often surround manifestation with all sorts of coverings, labels, shrouds, mystiques, and shrines, even though in varying forms we all do it all day long. “Thus saith the Lord”, the Biblical prophets write. When the circumstances of manifestation are particularly powerful, it can certainly feel like an external source impels it. If you’re predisposed to think in terms of deity, then a god/dess is a convenient point of origin — and you’re neither “wrong” nor “right”. You made yourself available as a collaborator with the cosmos. The labels you choose to understand and account for your experience and its results may help or hinder you in dealing with manifestation and its consequences.

The next step for me is to incise the nine runes onto the metal sheet I mentioned in a post not too long ago. Eventually it will live on an altar — possibly the lichen-covered altar stone I’m in the process of shifting to my grove. I’ve been looking at the best way to inscribe a nonagon on the metal, and you’ll see my results in a subsequent post.

In part I’m writing this section to reflect on my own experience of manifestation in connection with Thecu, and to understand what it is I’m doing, as well as what it is Thecu wants me to do.

I also reflect that here I held a warning of coming changes three years in advance of their physical appearance. “Nine paths of storm” for “riding change” indeed!

FIVE

Tomorrow night, members of our OBOD Vermont seed-group will hold a virtual “moon-moot”. It’s a full moon later that evening, around 10:30 pm local time, and we’ll have the waxing moon at our shoulders during our gathering. OBOD suggests a peace meditation on full moons. I’ve held my own rites at different phases of the moon, and find the dark and new moons of equal interest to the full.

I don’t need to go any further than the daily, monthly and yearly cycles to find “transparent witnesses” for “what it all means”. One post from a couple years ago has been receiving surprising numbers of readers, I suspect because it contains the words “spiritual meaning”.

Spiritual meaning often isn’t separate from physical ones. The sun rises and sets, coming to its full strength, then diminishing, and returning again. So to does the moon. And the length of days follows the longer annual cycle. A triad of planetary and astronomical pointers toward spiritual meaning: things run in cycles, and have a natural cause or origin, a life cycle, and an end.

Of course spiritual traditions around the world also include expressions like “seeing the sun at midnight” (which isn’t necessarily the same thing as the “land of the midnight sun”). Physical events are always themselves, and may also serve as pointers to things beyond them — at least to human consciousnesses. A great deal of ink (and blood) has been spilt arguing whether these things are “real” — for one take on the matter, see muggle above.

SIX

“All I know is a door into the dark”, writes Seamus Heaney in his poem “The Forge”. Bards like to sound dramatic. Heaney’s both telling the truth and lying through his bardic hat. But if you read through the link above to the “sun at midnight” you might spy a connection.

All I know is a door into the dark.
Outside, old axles and iron hoops rusting;
Inside, the hammered anvil’s short-pitched ring,
The unpredictable fantail of sparks
Or hiss when a new shoe toughens in water.
The anvil must be somewhere in the centre,
Horned as a unicorn, at one end and square,
Set there immoveable: an altar
Where he expends himself in shape and music.
Sometimes, leather-aproned, hairs in his nose,
He leans out on the jamb, recalls a clatter
Of hoofs where traffic is flashing in rows;
Then grunts and goes in, with a slam and flick
To beat real iron out, to work the bellows.

Any teacher knows the frustration of helping students move beyond thinking “Oh, it’s a poem. It can mean anything you want”. Of course: anything can mean anything. But try that out, and you quickly see such an understanding leaves you standing in mud. Rarely is it useful. It’s only when things mean something specific for us that they touch us, move us, arouse us to transformation and manifestation, those quintessential human acts.

Yes, quintessential: the five essences that underlie human activity. We know them as the four elements, and spirit — the pentagon, pentagram, pentangle or pentacle of both Pagan and Christian understandings.

Where is my real iron, to look again at the last line of Heaney’s poem? How do I do the work I need to do?

May you test and find your metal and mettle.

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Hass, Robert. Human Wishes. New York: The Echo Press, 1989.

Heaney, Seamus. Door into the Dark. Faber and Faber, 1969.

Image: Frangula alnus — creative commons image by Sten Porse.

The Céile Dé and the Fonn

The Céile Dé, sometimes Anglicized as Culdee, is one current revival of an ancient and largely monastic Celtic Church of the British isles. If you’re looking for aids to meditation and a means to reduce anxiety, gain focus and know your own core being, a fonn of the Céile Dé may be for you. I was privileged to attend a Céile Dé presentation at Solar Hill in southern Vermont several years ago, and to experience a demonstration of several fuinn (pl. of fonn). As part of a spiritual practice, you too may find these chants potent for healing and balance.

salamander--annaoakflower

salamander, Camp Ashby, MA

The Ceile De website notes:

The fuinn (plural) are said to bring the three parts of us — Spirit, Psyche and Physical, into harmony. They offer a powerful practice that can help us sink into a deep meditative state … or enflame the heart.

Most of the fuinn are short and repeated over and over. Fuinn can also be “prescribed” as anam leighis (soul medicine).

The three free chants on the website clock in respectively at about 6 minutes, 3:20 and 2:45. Once you’ve listened a few times and harmonized to the energy and rhythm of the chant, you can begin to adapt the form to passages from other poems, songs and prayers that uplift you. A slow, meditative chant works, as the website observes, “because we always have our voices and hearts with us”.

Using the previous sentence, “our voices and our hearts together” can form a group chant.

“The awen … I sing … from the deep … I bring it” serves equally well as an individual chant, which can be effective in alternating periods of silence and chant. Try experimenting with where you divide up the line, into three or four parts, or one longer slow chant.

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You can read an OBOD article on the Céile Dé here.

I invite you to post about your experience with these chants.

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