Archive for the ‘autumnal equinox’ Category

Your Brain on Autumn   Leave a comment

“Human cognitive powers have a seasonal rhythm, and for those living in temperate regions in the northern hemisphere they are strongest in late summer and early autumn”, says an article in the 4 Sept 2018 New Scientist (subscription req’d for full article).

We can assume, in spite of the article’s “hemispherism” (a tendency to privilege the northern hemisphere, or exclude the southern one from consideration altogether), that a similar rhythm holds true for the southern hemisphere in their late summer and early autumn, while the north slumbers uneasily beneath snow and cold in late winter and early spring. Southern friends, if you’re so inclined, bookmark this and return to read it when it’s more seasonally appropriate for your Land.

It stands to reason that harvest, with its demands for food preparation, its expanded food sources and increased nutrition, its social gatherings and preparations for the coming winter, would draw on and amplify human capacities of every kind, cognitive powers included. The lethargy of the heat of high summer has passed, and that crisp tang in the air and the red and golds that blanket hillsides in New England in particular, and draw so many to name autumn our favorite season, all conspire to spur us to activity. In the U.S., schools re-open, and you can feel the tilt and shift of the change from summer from late August through September.

Pagan and Magical Orders have long identified the equinoxes as times of particular inner activity. Initiations in many Orders take advantage of this heightening for its boost to ritual. By pairing our actions with what happens to the planet, we harmonize with currents deeper and more lasting than “what’s new” or what reaches the headlines or media-feeds on our preferred sources of gafs — gossip, advertising, fear-mongering, and sensationalism — that we still call “news”.

For what is truly “new” has of course been going on just beyond our noses all the while. The earth shifts and rebalances every moment. Plants renew the air, and we can keep breathing; they send forth seed and fruit, and we can keep eating. In spite of human assumptions, they’re under no obligation to do so, yet they gift us with their own substance year after year, just as we feed them with our breathing and our waste and our own bodies when they wear out. Break the cycle we’ve built together over eons, each learning the others’ gestures and energies and characters, and the relationship falters, like any relationship we no longer tend.

The initiation of cause and effect, which the Wise tell us we have repeatedly rejected corporately as a planet, has not disappeared or been switched off, or cast aside for something better. It still awaits our preparation and acceptance. With it, we can heal and create and thrive and change. That doesn’t mean it leads to heaven, or the apocalypse, or the Singularity. It’s simply life. And without it, we do what we always do when we reject growth. We stagnate, suffer strange outbreaks of dis-ease, regress, accumulate toxins, bloat, stifle, blame, blunder, and flail about. We cannot stand still, so if we don’t progress, we lurch backward, trampling new growth. The cosmos mirrors itself back in our awareness. We get what we give.

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dew on spiderwebs earlier this a.m.

The first glimmers of acceptance of the initiation spring up around us in individuals who have taken another step. And each of us has, in small and larger ways. Chickens come home to roost politically and environmentally. Mass consciousness shifts by fits and starts, even as individual consciousnesses grapple with change, whether each welcomes or fears it, resists it or works with it. The tipping point, however, is not yet. What we cannot force for the planet, however, we can navigate and midwife for ourselves and our closer circles. This will help more than almost anything else, because it prepares us to weather and grow through further changes and trials, even to flourish, and find joy.

Autumn renews in a different fashion than Spring. We are not seeding, at least not right away. Instead, we gather seed. We take stock, store up, brew, reap, glean. We’re weatherizing, stock-piling, fermenting, pickling, consolidating. We are, in the fuller old sense of the word, brooding, as a hen does its eggs. The soft yet edged light of September bathes days when the sun shows, a goldenrod month, a month of falcons.

Septem is “seven” in the older Roman calendar, the seventh month, counting from the similarly old beginning of the year in March. Seven is fullness, the sum of the 4 of the earth’s quarters and the 3 of the eternal cycle. Now that it’s also the ninth month in most current calendars, it draws as well on the magical symbolism of that number, a three of threes.

Rather than troubling overmuch about whether such associations are “true”, it can be more fruitful to see how and when they might be useful or accurate or faithful metaphors or maps or representations, and for which of the many different states of consciousness we all pass through.

Autumn, like every season, offers itself as a contour map of brains that have evolved over millions of autumns. What we see mirrors the tool with which we see it.

The blessings of autumn on us all.

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East Coast Gathering 2017   6 comments

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East Coast Gathering’s host camp. Photo courtesy Krista Carter-Smith.

Once again the Tribe — as many as could attend — converged on a hilltop in northeastern Pennsylvania near the autumn equinox for the 2017 OBOD East Coast Gathering. Some travelers contended with the after-effects of Hurricane Irma, others with more personal challenges. If you can make the effort, you experience the reward.

This year featured a Croning Ritual honoring nine women who requested this rite of passage, and a coming of age ritual for a young member. As Druid (and other Pagan) groups mature, similar opportunities will continue to arise to commemorate and honor such capstone events of our lives.

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The spirits of the Land know us and often have a message for those among us who can hear them. And this weekend in particular we were urged simply to listen — more on that later.

The Land near ECG. Photo courtesy Gerfalc Hun.

The overriding theme this year, twinned with our official theme “Discovering Awen: The Bardic Arts”, was clearly gratitude. Our delight poured forth on the several Facebook pages we frequent. Again and again, attendees wrote of their thanks to others for simply coming. With their presence and conversation, workshops and smiles, they reminded us of the beauty, fellowship and vitality of our chosen path.

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Members of Mystic River Grove. Photo courtesy Dana Driscoll.

This year marked my seventh Gathering in the PA hills. ECG opened its gates in 2010 and has subsequently given birth to the Gulf Coast Gathering and, last year, to MAGUS as well, the Mid-Atlantic Gathering (my review here).

Once again the event sold out quickly, and once again part of the draw, besides reconnecting with friends, was our special guest, this year the Chosen Chief of OBOD, Philip Carr-Gomm.

Philip and his wife Stephanie had been in the States longer this time. They’d just come off the previous weekend of giving workshops with the Green Mountain Druid Order in north central Vermont.

OBOD Chosen Chief Philip Carr-Gomm with attendees. Photo credit Elysia Cook

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Partly to honor the Chief, the Opening Ritual received special attention. Mystic River Grove, with members across New England, prepared thoroughly.

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Mystic River Grove prepares for Opening Ritual. Photo courtesy Gerfalc Hun.

Because of a new job, Saturday was the only day I could attend, so I made the most of it, rising early and driving to camp to arrive at breakfast.

Saturday included the main Equinox ritual, as well as a lunchtime talk by Philip, Ovate initiations, and as always the bonfires to draw the Tribe together after nightfall. I missed the Opening Ritual, ably led by Mystic River Grove, the oldest OBOD group in the States. The pictures hint at how marvelous it was.

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Brom putting the final touches on another masterpiece, with Alkandra helping. Photo courtesy Nadia Chauvet-Thanasoulas.

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Interior of a camp cabin — home for the Gathering. Photo courtesy Jo Ami.

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Cat and Gerfalc of Mystic River Grove in ritual garb as Owl and Moose. Photo courtesy Gerfalc Hun.

Loam introduced us to the Indian practice of rangolee or kolam, a form of ritual painting with rice flour. Below you can see the rangolee ogham (a splendid merger of Hindu and Druid traditions!) taking shape in the fire circle.

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Loam and a friend laying rangolee, ritual painting with rice flour, around the firewood. Photo courtesy Gerfalc Hun.

The unusual warmth of the weekend spurred me to stay robed from the afternoon ritual all the way through until the evening Ovate initiations. (Thank-you’s again to my wife for choosing a very breathable fabric when she fashioned my robe!) I’m sitting and gazing into the fire below. The rangolee remain vivid in firelight.

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After the Saturday evening Ovate initiations. Photo courtesy Steve Cole.

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Cat spearheaded the ritual planning and mask-making for Mystic River Grove’s Opening Ritual. Here she is as Owl. Photo courtesy Gerfalc Hun.

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Sarah F. as Salmon for Mystic River Grove’s Opening Ritual; she also served as Grove Mother during initiations. Her long-running astrology blog always has something to teach. Photo courtesy Gerfalc Hun.

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“Again the Labyrinth” — Cat gathers a team to set up the scores of electric tea lights in paper bags, switching them on and later off each night. Photo courtesy Steve Cole.

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Late Saturday — last night of the Gathering, people linger

“May the harmony of our circle be complete” go the words of standard OBOD ritual. If we’re growing at all as Druids, we keep getting reminded just how large our circle is.

Those who attend the Camp before and after us each year all contribute their energies, and not everything meshes automatically. But in particular, Druids can imagine themselves more in tune than others, and this in turn can lead to an arrogant obliviousness to what the Land is actually saying, and to a disrespect of the expressed wishes of the non-human inhabitants. As guests, the messages ran, we can do better.

As a result of the experience of past years and this year in particular, by both organizers and some attendees, and messages received from the land spirits of the Camp, next year’s Gathering will reflect a change in approach and perspective. These changes will appear on the ECG website. Listen, respect, celebrate. Old lessons, perennially new.

Here’s to the spiral of 2018!

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Trees of Camp Netimus. Photo courtesy Elysia Cook.

East Coast Gathering 2016   2 comments

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photo courtesy Krista Carter

The 7th OBOD East Coast Gathering (ECG) took place this last weekend with over 100 Druids, friends and family gathering at Camp Netimus in NE Pennsylvania. [Go here for accounts of previous Gatherings.]

Netimus, a girls’ summer camp, has welcomed us each autumn for Alban Elfed, the Autumn Equinox. The non-human staff of coyotes, hawks, dragonflies, chipmunks and owls lets us know they know we’re present, too, adding their own wild signatures to the rituals, the evening fire circles and the day and night-time hours.

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Hex in his drumming workshop

This year we celebrated the turning of the year among ourselves, without the headline special guests that can make registration for the Gathering a matter of internet frenzy and growing wait-lists.

We initiated ten new Bards, two Ovates and two Druids into the Order, as well as holding workshops on fairies, crystal jewelry, drumming, moon wisdom and beekeeping, and gathering in the camp dining hall for meals our devoted kitchen crew volunteers prepare with love, laughter and long hours of hard work.

Each evening brings the fire circle, always a draw. And this year we organized a more competitive eisteddfod, showcasing our singers, storytellers, musicians, dancers, fire-spinners and mead-makers, culminating in a final round on Saturday.

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photo courtesy Gabby Roberts

 

The Ovates gathered mugwort Saturday morning as we prepared our gift to the Tribe during the main Alban Elfed ritual Saturday afternoon. An invasive that can take over, mugwort nevertheless has healing properties, healthful in teas and soothing as a smoked herb, too (when it smells remarkably like pot!).

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photo courtesy Krista Carter

 

Preparing for Ritual

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photo courtesy Nadia Chauvet

 

A nearly full moon rose overhead each night, bathing the Gathering in light, and making the Camp paths and steps a little easier to navigate if, like me, you forgot all three nights to fetch your flashlight from your cabin before dark — needing a light to find your light!

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photo courtesy Alec Mayer

The rain — thank you, Spirits of Place! — held off till shortly after the closing ritual Sunday morning.

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The reason Camps like this happen at all is that enough people are willing to give of themselves. Rather than complain about what doesn’t happen to their own narrow liking, enough people contribute to what does.

And among the thanks, reminiscences and anecdotes that always leave us both smiling and teary during the final ritual, several comments stood out, like Frank’s. He thanked us for the opportunity to serve. Those people in our lives that we come to value the most are those who give without drama or ego display.

Our closing ritual talked of all four elements, including the humility of water, that takes whatever shape we ask. Alban Elfed, Light on the Water, is a festival of the West, of Water, of balance and change, the dynamic that Druids revere, and strive to navigate with all the grace and wisdom we can muster.

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photo courtesy Alec Mayer

 

Thank you, everyone, two and four-footed, winged, scaled, legless, and unbodied, who made this ECG another splendid opportunity for the Tribe to gather and celebrate and grow.

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Autumn Equinox 2016   9 comments

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late afternoon on our 3-mi loop-walk

The seasonal festivals may start to come upon you like the visits of old friends. You don’t need to be anything other than who you are for them, of course. Fat chance, anyway, of sustaining even a polite deception with someone who knows you this well. I can shove the unsorted laundry into a closet, ready the guest room with fresh sheets, maybe offer a vase of goldenrod and queen anne’s lace this time of year. Clear the top of a dresser or nightstand and set out a few found objects to share: quartz or shale or mica from a recent hike, driftwood from a stream or beach walk. Such gestures never go to waste. They welcome the guest and lift the mood of the host, if lifting is needed.

Sometimes it is. We felt a seasonal shift here in southern Vermont about a week ago, a subtle movement of energies and weather and light as they whisper together and ease us toward the equinox, the evocatively named Alban Elfed, “Light on the Water.” The birds knew it, too — maybe something in their song clued us in to pay attention in the first place.

Of course the linguist in me tries to quibble that neither word “actually means” light or water, but instead simply the quotidian equinox (of) autumn, but then rummaging around the OBOD website I’m caught up in wonder by Coifi’s observations in a lovely post:

This is the Feast of the Autumn Equinox. The Light of the Sun in the Wheel of the Year stands in the West, in the Place of balance between the Light and the Darkness. This is a time of the Great Tides. This is the Gateway of the Year.

This Feast is known by many names to many people, for the Truth is reflected from many mirrors. It has been celebrated as Alban Elfed and Harvest. Our ancestors called it by names long forgotten, and our children will call it by names as yet unconceived.

So it is that literal gets overtaken by the figurative, just as speech does by song. Or not overtaken, not exactly. Whether I let them or not, they start dancing, each bowing to the other. Here is one of the Earth’s truths that says listen. The ancestors gave it names, as do we with our Alban Elfed and Mabon and Harvest Home, and as will our descendants. Each will know it, both the waning light, and the promise of Return.

A further quibble that the festivals are “just modern inventions” dissolves when you can point to old stones and other markers: the earth, again, is a witness here. From the plains of Wiltshire with its over-famous Henge to a hilltop in southern Ohio with its Serpent Mound, the inhabitants of many lands have been drawn to find ways to mark off days and seasons with structures whose physical remains simultaneously hush and awaken the mind.

2000px-wheel_of_the_year-svgFor “light on the water,” as it turns out to my now-placated left brain, is indeed apt, a festival that celebrates a brief balance of light and dark in the quarter of the ritual year that belongs to the west and to water. “Light on the water” brings with it a twilit mood, a sunset reminder of the reality of life on earth, both dark and bright.

For the whole planet, northern and southern hemispheres both, experiences a balance of light and dark before the days continue to shorten or lengthen, depending on where you stand. The time, friends, is a whole-planet festival. Come! Join in!

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Images: western light in southern Vermont; Ritual Wheel of the Year.

Backstage Druidry   2 comments

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In the end we all do what we’re told. (It’s a backstage conversation.) We just differ on who we listen to, who we decide to heed. The cicadas from central casting announce August outside my window, under this overcast summer sky on a day of rain, and I sit grappling with this post. Somehow they’ll work their way in, because I listen to practically everything. Bards most of all, because they’re such electric company. Each cicada-Bard croons a Lunasa song, turning and tumbling toward the Equinox now, the days shortening at both ends, darkness nibbling at the warm hands of summer.

Do we really do what we’re told, and follow a script handed to us backstage? “No rehearsal. You’re on in 10 seconds.” Then Pow! Birth! And going off-script means following another script, the one titled rebel or train-wreck, fool or genius, or what have you. What do we have? “What is written is written,” runs the Eastern proverb about fate. “What can I say?” quips Buffy the Vampire Slayer. “I flunked the written.” So many scripts to choose, rehearse, try out. When we read for “human,” how many other lines do we forget? “I am a stag of seven tines,” sings Amergin, “I am a wide flood on a plain, I am a wind on the deep waters …” Memory and imagination, the same, or inversions of each other.

When poet Mary Oliver gives Bardic advice, “Instructions for living a life. Pay attention. Be astonished. Tell about it,” I want to shout “But attention and astonishment are both luxuries!” And they are: ultimate, essential luxuries. Yes, Socrates said, “The unexamined life is not worth living.” Writing teacher Robert McKee turns it around: “The unlived life isn’t worth examining.” Ouch! Take it personally like I do (though quickly I blunt the edge by applying it to characters I’ve written, all those understudies and stand-ins for my life) — take it personally and you may turn another way, determined perhaps this time to swallow life whole. This life is brand-new, never seen before. Old games, true, but new blood.

Backstage I overhear someone whispering, “Worry about living first, and if necessary, leave the examining to somebody else.” Is that meant for me?  “You’re on! Break a leg!” Is that meant for me, too?

Broken. Stuckness. Does it happen more to people who overthink their lives, who need to see where each footstep will land before they take a step?  Those who strive to word a version of their lives acceptable for a blogpost?

“When I am stuck in the perfection cog,” remarks author Anna Solomon,

–as in, I am rewriting a sentence a million times over even though I’m in a first draft or, I am freaking out and can’t move forward because I am not sure how everything is going to fit together—I find it helpful to tell myself: You will fail.

A soul after my own heart! Failure: our solid stepping stone to success. Because who IS sure how everything is going to fit together?

I have this written on a Post-it note. It might sound discouraging, but I find it very liberating. The idea is that no matter what I do, the draft is going to be flawed, so I might as well just have at it. I also like to look at pictures I’ve taken of all the many drafts that go into my books as they become books, which helps me remember that so much of what I am writing now will later change. When I am aware that my work is not as brave or true as it needs to be, I like to look at a particular photograph of myself as a child. I am about eight, sitting on a daybed in cut-off shorts, with a book next to me. I’m looking at the camera with great confidence, and an utter lack of self-consciousness. This photograph reminds me of who I am at my essence, and frees me up to write more like her. —Anna Solomon, author of Leaving Lucy Pear (Viking, 2016), in a Poets and Writers article:

No rehearsal — it’s all draft, to mix metaphors. And You will fail. But once you do the draft, paradoxically, it becomes rehearsal, revision. Re-seeing. We will look again in astonishment, memory or return, mirroring the same thing, and marvel differently. Our recognition when another tells the tale, when others speak for us because they can, they live here too, they see and speak our hearts’ truth. We know, partly, because of them. They’re versions of us, dying and being born together.

“When death comes,” Mary Oliver says in the poem of the same name,

like the hungry bear in autumn;
when death comes and takes all the bright coins from his purse

to buy me, and snaps his purse shut …

when death comes
like an iceberg between the shoulder blades,

I want to step through the door full of curiosity, wondering:
what is it going to be like, that cottage of darkness?

Oh, Mark Twain gathers himself to answer. I hold my breath. Maybe it’s both like and unlike anything you imagine. Can we fear only what we dimly remember? “I do not fear death,” Twain says. “I had been dead for billions and billions of years before I was born, and had not suffered the slightest inconvenience from it.”

Lunasa thoughts. The autumn in the bones and blood, while the young are dancing. Mead around the fire. We’re both grasshopper and ant in the old fable, gathering and spending it all so profligately. Expecting a pattern, a plan, we’re told to ignore the man behind the curtain. Sometimes there’s neither curtain nor man. Other times, both man and curtain, but as we approach, the spaces between each thread and cell, between each corpuscle and moment, each atom, have grown so large we can fly through appearances, into mystery, into daydream. Great Mystery drops us into the blossom before it’s open, we sip nectar, drowsing at the calyx, the Chalice. Mystery listens as the bees hum around us, gathering pollen. Stored up sweetness for the next season. To know itself, Mystery gazes from everything we meet, we see it in each others’ eyes, so it can see itself.

Attention, says Mary Oliver, attention is the beginning of devotion.

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Image: Oscars.

East Coast Gathering 2015   5 comments

This last weekend marks the 5th East Coast Gathering I’ve attended, the 6th since its launch in 2010, and another gift of Spirit and mortal effort.

You can read my accounts of three of the previous years: 2012 | 2013 | 2014. A special thank-you to John Beckett, several of whose professional photographs illustrate this post. You can visit John’s own articulate and insightful blog “Under the Ancient Oaks: Musings of a Pagan Druid and Unitarian Universalist” over at Patheos here.

Camp Netimus -- photo courtesy Krista Carter

Camp Netimus — site of the ECG. Photo courtesy Krista Carter

 

Registration for the weekend filled within 20 hours of opening this last spring. Gatherings like this answer an obvious need in the Druid and Pagan community, and more are in the works in other locations. It’s on us to help make them happen. A dedicated team can bring the same joy, support, inspiration and community to other regions.

Yes, we’re all solitaries some or much of the time, but every solitary benefits from celebrating and learning in the company of others. That chance conversation, ritual insight, day- or night-dream, word or phrase that lights up just for you, the hugs you give and receive, the opportunities to serve the community through offering a workshop, cooking, cleaning, organizing, driving — these make Gatherings like this such richly rewarding experiences. The dark and light halves of each year are real, and we need all the help and laughter we can find to thread our way through the labyrinth of time.

 

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I arrived Thursday afternoon early enough to check in and unpack before the opening ritual. My cabin mates had already hoisted a banner, which also made the building easier to distinguish from the others in the dark, when the “9” on the door was no longer readily visible.

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Cabin banner. Photo by A Druid Way

 

Equinox marks the shifting energies of days and nights, rebalancing the world. A lovely moon bore witness, waxing each evening through wonderfully clear skies, lighting the path to evening events like the Ovate initiation ritual and illuminating the short uphill walk from the cafeteria to the nightly fire circle.

The crescent moon. Photo courtesy John Beckett

Crescent moon in a twilit sky. Photo courtesy John Beckett

 

The theme this year was ritual, and the whole weekend focused our attention on its magical possibilities through a dozen workshops, demonstrations and ceremonies. You can get a sense of the range of approaches from the list of workshops here. We also welcomed returning U. K. guests Damh the Bard, Cerri Lee, and Kristoffer Hughes.

Cerri Lee, Damh the Bard and Kris Hughes. Photo courtesy John Beckett

Cerri Lee, Damh the Bard and Kris Hughes. Photo courtesy John Beckett

 

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Damh’s workshop on “The Bardic Voice” underscored the centrality of the Bard in Druidry. Like many Druid groups, OBOD orders its teaching in the sequence of Bard, Ovate and Druid. But they do not form a linear progress or erect a hierarchy of achievement. They spiral. In an Ovate breakout group a day later, several people mentioned how they often return to the Bardic coursework, its insights deepening through their Ovate practice. And likewise with the work of the Druid grade.

Damh is a fine teacher, an animated storyteller and ritualist of deep experience. With his wife Cerri he leads Anderida Grove. [For an audio inspiration, listen to his hour-long recording for inner journeying here.]

Damh in teaching mode. Photo courtesy John Beckett

Damh in teaching mode. Photo courtesy John Beckett

 

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Reminders of ritual possibility filled the weekend. Below is a picture of a labyrinth, another gift of the weekend, lovingly constructed by Cat Hughes and friends.

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Labyrinth by day — entrance. Photo by A Druid Way.

 

Volunteers switched on each light every evening, then turned them off again when everyone else had gone to bed.

Labyrinth by night. Photo courtesy Damh the Bard.

Labyrinth by night. Photo courtesy Damh the Bard.

 

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Kris’s workshop, “Laudanum, Literature and Liturgy — the Ritual Legacy of Iolo Morganwg,” featured the ritual — in Welsh — that Morganwg first performed on the Summer Solstice on Primrose Hill (London) in 1792, launching the Druid Revival and establishing the Welsh Gorsedd of Bards. Morganwg is also the author of the Druid’s Prayer, still used in many modern Druid groups including OBOD, and a major influence on generations of Druids from his time to the present. Kris’s Celtic eloquence in praise of Morganwg and his passion for Druidry took him off script and left many of us with tears in our eyes.

Kris during his workshop on Iolo Morganwg. Photo courtesy of Dana Wiyninger.

Kris during his workshop on Iolo Morganwg. Photo courtesy of Dana Wiyninger.

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Bill Streeter from the Delaware Valley Raptor Center, the charity designated for this year’s Gathering donation, brought six birds and made a fine presentation on raptors, their abilities, the dangers (mostly human) facing them, and the challenges of rehabilitating injured birds.

Bill Streeter of the DVRC with a golden eagle. Photo courtesy John Beckett.

Bill Streeter of the DVRC with a golden eagle. Photo courtesy John Beckett.

These magnificent birds have often suffered neurological injuries that worsen over time. Though both the eagle above and the owl below look normal, both are blind in one or both eyes, or suffer other injuries like crippled wings, and thus could not survive in the wild. But the birds help save the lives of their kin through their appearances in info sessions like this one.

Great Horned Owl. Photo courtesy John Beckett.

Great Horned Owl. Photo courtesy John Beckett.

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The Alban Elfed ritual celebrating the Equinox includes gifts from children, guests and each of the three grades of Bards, Ovates and Druids. Here are Chris and I holding bowls of acorns, part of the Ovates’ ritual gift, just before the ritual procession into the Circle.

Chris and I just before Alban Elfed ritual. Photo courtesy John Beckett.

Chris (r) and I (l) just before Alban Elfed ritual. Photo courtesy John Beckett.

The evening eisteddfod (music and poetry circle) one night featured a splendid duet from Kris and Damh — see the image below.

Kris and Damh singing at the fire circle.

Kris and Damh singing at the fire circle. Photo courtesy Hex Nottingham.

Below is another pic of the fire circle one night. Our enthusiastic and skilful fire-makers Derek and Brom love large, carefully-constructed bonfires.

Fire. Photo courtesy John Beckett.

Evening bonfire. Photo courtesy John Beckett.

Once again Dana set up her meditation tent on the campground for all to visit and enjoy.

Approaching the tent. Photo courtesy Dana Wiyninger

Approaching the tent. Photo courtesy Dana Wiyninger

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Altar in Dana’s meditation tent on the camping field. Photo courtesy Hex Nottingham.

A small group made a side excursion to nearby Raymondskill Falls. Here’s a view of one of the waterfalls.

Raymondskill Falls. Photo courtesy of Gabby Batz Roberts.

Raymondskill Falls. Photo courtesy Gabby Batz Roberts.

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And for those of us who can’t wait an entire year, the Gulf Coast Gathering will celebrate its second year in March 2016. Blessings of the Equinox to all!

“Creating a Goddess Book”: The Rest of the Workshop   Leave a comment

Our bodies already know the Goddess – this is our oldest magic.

I relied on this insight in planning for the workshop at this year’s East Coast Gathering, whose theme was “Connecting with the Goddess.”

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Goals and plans I had for the workshop:

The heart of the workshop is a hands-on look at various ways to make a physical book/scroll/altar object that explores/invites/incorporates ritual, ogham/runes, art, prayer, poems, questions, magic and daydreaming into a concrete “link” to the Goddess as we experience Her — or desire to experience Her. Think “book” as “portable paginated/folding/roll-up ongoing altar-in-process.” I’ll talk about inspiration, nudges, hints and ways to listen, inviting and hoping for participant sharing and input! The seed for the workshop comes out of the fact that I’m a prime example of somebody who doesn’t have a consistent Goddess practice (though She’s seeing to it that’s shifting, too), but when She wants my attention, She gets it, like with this book, and workshop.

It’s probably a good thing we don’t always hear how ambitious we sound. Young or old, you eventually learn to deal with the inevitable gap between vision and manifestation. If you’ve managed to hold on to any of that original and wonderful idealism of youth, you also realize that the gap isn’t a reason to despair, or to dispense with vision, but rather a sign of just how important vision is.

The physical world, so important for manifestation, by its nature tends to lag behind the swiftness with which vision can appear. But that lag is precisely part of this world’s immense value: its inertia and density allow for greater permanency and resistance to change, so that we can experience the results of vision over time — and fine-tune it if we choose. Unlike in dream, where the subtle stuff of vision or imagination can wisp away so quickly, physical manifestation tries to linger.

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The Goddess is generous. Or alternatively, if you prefer the cynical version, I belong to the OCD Order of Druids. Creativity, as the saying goes, is messy. I over-planned for the workshop, ending up with far more material than any mortal could begin to do justice to in a mere hour, and this post is my penance, or confession. Or further indulgence. And maybe — in the way it often arrives when we’re not paying attention, even in spite of ourselves — a spark of awen.

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ogham“Creating A Goddess Book,” with focus on “book” in order to free it from the psychological shrine many Druids, and Pagans generally, tend to put books in. Instead of paper, a book of leather, or metal, or cloth — individual sheets, or a single longer scroll. A nudge to try out the qualities of other substances than paper, than the admittedly inviting blank books on sale in chain bookstores, or even Ye Friendlie Lokal Paygan Shoppe.

Each workshop participant received a packet to practice with, consisting of a rectangle  (approx. 3″ x 4″) of vegetable-cured leather and a similar-sized rectangle of .019″ aluminum, wrapped in a larger swath of canvas cut from a shop drop-cloth from Home Depot. A wood- and leather-burning tool, a few screwdrivers, some markers of various kinds, a few words about inspiration and the importance of working to manifest things on the physical plane as one powerful way to connect with the Goddess. Suggestions for inscribing/writing/ incising a short prayer, vow, magical name, etc. Reference tables of Ogham and runes for those who wanted to inscribe words with some privacy, as a personal meditation. I pointed out that you could cut all three materials with kitchen scissors. Besides the wood-burner, no fancy tools required. Then I shut up and let participants have at the materials. Done!

Hex Nottingham's leather and metal "pages" -- photo courtesy Hex Nottingham

Hex Nottingham’s leather and metal “pages” — photo courtesy Hex Nottingham

Except for the next flash of inspiration in the planning process, which would not let go: a “Nine-Fold Star of the Goddess” you can try out here at one of several websites that illustrate the steps.

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A sampling, with some commentary and additions, from the workshop handout:

“Spirit must express itself in the world of matter or it accomplishes nothing.  Insights of meditation and ceremony gain their full power and meaning when reflected in the details of everyday life.” — J. M. Greer, The Druidry Handbook, p. 138.

This world, here, is the realm of mystery. Spirit is simple — it’s this world that’s so surprising and complex in its changes and ripples, its folds and spirals and timings. Make something, I tell myself, labor with the body, and then I can often approach the Goddess more easily, dirt under my fingernails, sweat on my face. She likes bodies. I’m the one who keeps forgetting this, not her.

“Work with a Goddess long enough and you learn to hear Her call. You learn to pick her voice out above the noise of contemporary society, above the words of teachers and friends, and even above your own thoughts and feelings. Sometimes what you hear is not what you expect.” — John Beckett, “A Rite of Sacrifice,” Mar. 4, 2014.

“Shaper, you have made and shaped me. Honor and serenity are yours. I am your garment, you the indwelling spirit. Work with me in everything I do, that all may know you. Energizer, quicken me. Measurer, clear my path. Protector, guard me safely. Initiator, take my hand. Challenger, transform me. Savior, be my help. Weaver, make my pattern bright. Preserver, heal me. Empowerer, make me wise.” — adapted from Caitlin Matthews, Elements of the Goddess, p. 118.

Rilke’s fragment, a whole meditation in itself, or a daily morning prayer.

Oh, I who long to grow,
I look outside myself, and the tree
inside me grows.

— Rainer Maria Rilke

And Larkin’s poem “Water”:

Water

If I were called in
To construct a religion
I should make use of water.

Going to church
Would entail a fording
To dry, different clothes;

My liturgy would employ
Images of sousing,
A furious devout drench,

And I should raise in the east
A glass of water
Where any-angled light
Would congregate endlessly.

— Philip Larkin

After delighting in this poem, make an exercise of it. Choose one of the elements.  It can be water, as in the poem, or one of the others. Finish the sentence: “If I were called in to construct a _____, I should make use of [element].” Keep going: a series of statements, a meditation on the one you just wrote, a free association.  Whatever gets you putting words down.  You can try this over several days with all the elements, or at a different pace, if you’re working with the elements on your own.

The ECG schedule this year put the Goddess Book workshop immediately after Thursday’s Opening Ritual, so people arrived still bubbling from the ceremonial jump-start for the weekend.

“In every world, in every form, in every way, I am near you, I uphold you, I comfort you, I guide you, I deliver you from each limitation until my freedom is yours. Your body is my chalice, your heart my echo, your form my shadow, your pulse my footstep, your breath my passing.” — from my own Goddess book.

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pattern-star

1. Once you hold the Star of the Goddess in your hand, write the names of the four elements and Spirit, one near each of the points. Complete this step before reading further.

2. Which elements sit on either side of Spirit? Contemplate on their positions there.  Are they elements that help support your spiritual life?  Are they especially active?  Are these the elements that need extra attention and balance?

3. Consider a section in your Goddess book for vows: experiment with them, not as harsh, unyielding obligations, but as tools for studying resolve, testing experience, practicing manifestation of your intent, and so on. They need not be “public” – write them in ogham, runes, etc. Start small and easily achievable.

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Dedicating a Goddess Book: Blood, sweat, tears, spit, etc. can mark our books with our earthiness: a commitment to be honest with the Goddess about our path, its ups and downs, to remember her presence with us, and to acknowledge what we need, what we doubt, what we’re willing to work for – whatever feels right to include. Make a ritual of it. Do it quietly, simply, without fanfare, with silence making its own ritual. Or call out all the stops, bells and whistles. Then dance, feast and celebrate.

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Allow a Goddess book — it could be a single sheet or “page” specifically intended for this purpose — to return slowly to the elements on an outdoor altar. Or bury it in the Mother’s good earth. Thus is the vow fulfilled that the Mother takes into Herself, as She will take all things back in time, and return them again.

“All things are holy to you.  This book like all things lies among the faces you show to me; may I learn from you daily, drink deep from your well, and body you forth as your child.” — from my Goddess book.

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A small ritual. Take a few deep breaths. Sing the awen, or other name or word that grounds and focuses you. Holding your cupped hands in front of you, say: “I make this altar for the Goddess, a space where she may act in my life.”

Holding the Star, or your journal, or other ritual object meaningful to you, or nothing else at all, ask yourself: What specific space or doorway exists in my life for the Goddess to manifest or to act in? Pay attention to hints, images and answers as they come.

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And again: Our bodies already know the Goddess – this is our oldest magic.

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Images: ogham; star.

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