Fried Tomatoes and You   Leave a comment

“There are different ways to fry tomatoes”, begins one utterly inane piece of spam I opened this morning. But it’s true.

Whatever my tomato is — God, sex, politics — one or more of that original neon trifecta, or something else altogether, different ways abound. More than just two roads diverge in the yellow wood of any moment, Robert. (If I’m gonna argue, let me argue with the best.) Continuing the challenge from the previous post, what limiting duality is my task to work on for today?

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The “solar question” for the day in Caitlin Matthews’ Celtic Devotional reads: “Are you misusing responsibility or power?” Is there a missing third, or fourth, etc., or in fact are those always the sole two options to choose from? “Cash or credit”? Or coffee, tea, milk, juice, water, nothing, etc.?

(Incidentally, I prefer guilt to blame, because at least guilt makes me less of a victim. “Which one have I misused this time?!” Because if I messed up before, I can do it differently. But if it’s somebody else’s fault — the blame game — the job’s a lot harder. I have to get them to accept responsibility or exercise their power. Guilt, often, is for the lazy — my kind of people. “Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep” said some wise person. So I’m running with the scissors of responsibility, power, guilt and art. What could possibly go wrong?!)

I haul out my table of correspondences and assign each one — responsibility, power, guilt and art — to one of the four directions. Guilt feels earthy, heavy, rooting us in place, rubbing our noses in thing and fact. North it is. Power we’ll place in the south, all fiery and energetic, especially while the Solstice still pulses so brightly. Responsibility I’ll set in the East, that dawning of awareness of cause and effect, that light on our lives that helps us see a path. Art, then, is West, pooling in the emotions and intuition where it’s always ready to leap forth, salmon-like, into beauty and unlooked-for surprise. (Adjust these to taste.)

Or fashion out of the quartet a Triad, chucking guilt and finding a balance of power, responsibility and creativity manifesting in the art of a life lived richly, felt deeply.

So which am I misusing right now? Responsibility or power? The power to act, to fire up my responsibility so that I’m not the unwitting effect of others’ causes, but in fact I claim my human birthright, I originate from my own self a course of action right for me? Or the responsibility to use my power, not to fear it and tuck it away, because it might hurt me or someone else?

In the West, still, women are often shamed for using their power, and men for not using theirs. So we gender power in an attempt to contain it, ending up not with an honest recognition of its many different expressions, but with bitches and bros, power and responsibility both misused in these two common but by no means only possible ways.

There are different ways to fry tomatoes. We tend to think of a perspective, a culture or civilization — if it’s ours — as the best or in fact the only way to fry tomatoes. Given 7+ billion of us humans, not to mention all our other companion species, it’s faintly possible that’s less than likely.

hanged-man

The Hanged Man of the Tarot has been recently in my awareness a lot. I’ve been fascinated how his legs describe a 4 — an image I take to mean the four elements, directions, etc. in balance or harmony. The elemental forces are written in and on all our bodies, but we don’t always live from this powerful awareness, and our resulting imbalances afflict us in a multitude of ways, individually and civilizationally.

If the Hanged Man represents, among other things, self-sacrifice, it’s a sacrifice of limitation — but one which can only happen when I’ve recovered a balance or recognition of the energies at work and available to me. Smaller and greater moments of casting off limitation, of sacrifice of a limited sense of self occur throughout our lives. But it’s vanishingly rare that I can effect self-sacrifice in another person. For that reason alone I find it’s easier (my favorite theme of laziness again  — or, if you prefer, greatest return on investment of time and energy) to work on myself rather than on the culture. Let change flow from my changed consciousness — indeed, that’s how most changes flow anyway, from what I’ve seen. Enough small changes occur, a critical mass builds, and what appeared insoluble, impossible, even unthinkable, tips an energetic balance in mass consciousness, and becomes commonplace. (A handful of us stand up as heroes and heroines, shove publicly to make it all happen sooner, and as often as not are assassinated for our efforts. “A heroic destiny for you is on sale now!”)

This particular version of the Hanged Man expresses such themes well, to my thinking. He’s hanged, but he holds the power and the responsibility. And what lies just beneath him? A pool of water, of the unconscious, perhaps, but also of intuition, of discovery, of autumn, of fullness of awareness, of completion, of harvest. He is just able to touch it. As an image for the coming seasons of the year, the Hanged Man is a worthy guide. We sacrifice most authentically, powerfully, responsibly and artfully when it is ourselves.

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Images: Hanged Man image on DeviantArt.

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