[For some of my other posts on Shinto, visit here, here, and here. For a two-part and more personal reflection, try here. The second part of this post will look at some possibilities for the "Shrine Druidry" of the title.]
I’ve mentioned Shinto and Tsubaki Grand Shrine before in these pages — a lovely shrine in Granite Falls, WA, about an hour north-northeast of Seattle. Recently during our car tour that included the Pacific Northwest, my wife and I “made omairi” or paid a visit on a sunny July day. The idiom “pay” is illuminating: some kinds of visits can be the fulfillment of a religious vow, a pilgrimage we dedicate to a spirit or an ideal — acts, in other words, performed at least potentially in fuller consciousness than usual. True, “the bow can’t always be bent,” as the old occult proverb goes; we “have to live in the real world,” as my mother used to admonish me. But you quickly find that cultivating regular times of intention and focus brings spiritual advantages just as it does other kinds of advantage in other aspects of life.
Tsubaki finds a working balance in explaining just enough about itself and about Shinto to the visitor who may know little about either. Shrines express unique and individual presences, and Tsubaki is no different. We can argue till the cows come home and make their own butter whether such distinctiveness comes from human intention solely, or from a happy cooperation of human and divine. What remains is the shrine itself, beyond mere debate: a place to visit, breathe, absorb, reflect on, and if you feel called to do so, revere and commune.
Tsubaki aids visitors in doing this. Here is the shrine’s temizuya, literally, “hand-water-place,” a feature at most shrines, offering an opportunity for ritual purification. The shrine offers a bilingual placard explaining the temizu ritual. Participating (or not) is left beautifully up to us, especially on a day like this was, with no one around but one silent shrine tender, sweeping and cleaning. But the temizuya does stand ready as one invitation among many to make our own discoveries through performing a small ritual action.
Of course, a shrine need not always explain. Tsubaki, like so much of Shinto, also demonstrates the value of silence in fostering encounters with the natural world. They are not separate things; the human is part of the world of the kami, of spirit.
From another viewpoint, a shrine simply acknowledges what is already present, whether it chooses to point our attention to it, or bring us together by putting us in the same place. Here is the path from the central shrine down to the gravelly bed of the Pilchuck River. There you can see another small shrine (in the center of the picture, looking something like a tall sawhorse draped with white flags) standing near the water’s edge.
The plaque above adjoining the emaden explains another Shinto practice. Below is the emaden itself.
Less formal are the written prayers tied to natural features like trees and to man-made objects. And many Westerners have become familiar with Tibetan prayer flags. Odd that in the West a prayer is considered primarily a verbal action. The silent written prayer can stay in place; we can walk away, knowing our peitition or vow or praise or thanks remain, where we made them. We wish for a change, a response, to manifest at least in part in this natural world. Then let our petition, our expression, our acknowledgement of spirit linger in the world, till the world’s elemental and spiritual forces reclaim them.
In addition to other kami, Tsubaki also enshrines America Kokudo Kunitama-no-Kami, the kami protector of the North American continent.
In the next post, I’ll look at some possibilities for what Shrine Druidry could look like as an expression of Druidic experience.
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